Composer: Isaac Albéniz Artist: Sebastian Stanley (piano)
This album contains the Piano Sonata Nos. 3, 4, 5 and Suite Ancienne Nos. 1, 2 by Albéniz, presented by Piano Classics, a label of Brilliant Classics.
Isaac Albéniz’ most famous work is undoubtedly his suite Iberia, a landmark of Spanish culture and the perfect example of “Españolismo”, the fusing of folkloristic elements in romantic music. Albéniz wrote seven piano sonatas during the 1880s, but only Nos. 3, 4, and 5 survive as complete works. As with so much of his output they are now better known in the form of guitar transcriptions – at least for Nos. 3 and 5 – but the piano originals show the same fantastical imagination and romantic temperament as his masterpiece Iberia, while conforming to a more conventionally Classical form. Their craftsmanship in harmony, scoring, and voice-leading are beyond reproach, but it is the lyric sweep and often playful touches of harmony that secure their place on the fringes of the repertoire.
🎼Jean Sibelius 🎻Pekka Kuusisto 🎻Camerata RCO🎻 Arranged by T. BeijerOne of the top classical musicians in Finland, violinist Pekka Kuusisto revealed in an interview yesterday that he has been at home sick for about a week and a half now. He said he got a positive result when tested for the #coronavirus just a few days ago. Describing his condition as "bareable", Kuusisto continues to fight the bug in a home quarantine and is not hospitalized. We wish him all possible strength and hope for a full and speedy recovery !
The fabulous musicians of the 🎼Lahti Symphony Orchestra🎼 really climbed a virtual mountain to make this happen... Each of the musicians - 62 in all ! - received some written performing instructions and a click track by email from the orchestra´s artistic director / chief conductor Dima Slobodeniuk and then filmed and recorded their part at home in #quarantine. Everything was then sent to a production company, where the music was mixed and this video put together. All this was done just to bring joy and encouragement to the Finnish people - and everybody around the world - during these difficult times. So without further due, here´s our Tune For Today: a very special #Lockdown #2020 performance of
🎼Jean Sibelius🎼 🎻Chamber Orchestra of Europe🎻 Lorenza Borrani ▫ solo violin Vladimir Ashkenazy ▫ conductorFrom a concert performance in Cité de la Musique, Paris (2008).
Beethoven: Leonore Overture no 3 Ravel: La Tombeau de Couperin Stravinsky: Pulcinella SuiteOriginally streamed live April 23rd, 2021. This concert will be available until June 30th, 2021.
Harpsicord: Andrea Coen Violin: Federico Guglielmo
Harpsichord Concerto in B flat major Concerto for 2 flutes & orchestra in G major 20:34 Quartet for flute, violin, viola & cello No. 1 in D major 37:54 Quartet for flute, violin, viola & cello No. 3 in D major: Allegro 50:48 Quartet for flute, violin, viola & cello No. 5 in D major 1:03:06 Sextet for keyboard, 2 violins, viola, cello & bassoon in G major 1:11:02 Sestetto for keyboard, harp, violin, viola da gamba, cello & bassoon in F major 1:27:47 Quartet No. 2 for Oboe & Strings in G major 1:48:37
🎼 Jean Sibelius 🎼 Lilli Paasikivi ▫ soprano Jorma Hynninen ▫ baritone 🎻Finnish Radio Symphony🎻 ▫The Polytech Choir▫ Jukka.Pekka Saraste ▫ conductorPerformed live at the Finlandia Hall in Helsinki, 2002.
Divertimento for small orchestra op. 86 (after Couperin)
I. La Visionnaire (00:00) II. Musette de Cholsy (02:20) La fine Madelon (04:05) La douce Janneton (05:26) La Sézile (06:32) Musette de Taberny (06:57) III. Le Tic-Toc-Choc -La Lutine (08:25) IV. Les Fauvettes plaintives (12:55) V. Le Trophée (15:45) L'Angeuille (16:46) Les jeunes Seigneurs (18:43) La Linotte effarouchée (21:49) VI. Les Tours de Passe-Passe (23:55) VII. Les Ombres errantes (27:24) VIII. Les Brimborions (30:58) La Badine (33:15)
🎼Jean Sibelius🎼 🎻Augustin Hadelich🎻 🎻Icelandic Symphony Orchestra🎻 Eva Ollikainen ▫ conductorPerformed live at the Harpa Concert Hall, Reykjavik on March 5th, 2020.
n°1 Andante con moto 0:00 n°2 Allegro 3:05 n°3 Andante 6:09 n°4 Presto 8:49 n°5 Quasi allegretto 12:44 n°6 Presto - Andante amabile e con moto - Tempo I 14:18
Artur Schnabel Studio recording, London, 13.I.1937
The Six Bagatelles of Op 126 formed Beethoven’s last work for piano. When he offered it to the publishers Schott & Co. in November 1824, together with the Consecration of the House Overture Op 124, he described the pieces as ‘6 Bagatelles or Trifles for solo piano, some of which are rather more developed and probably the best pieces of this kind I have written.’ This is, in fact, music that already belongs to the spiritual world of the late string quartets Beethoven began composing in its wake. [+]
🎼Claude Debussy🎼Performed for your listening pleasure by Wolfgang Ritter, Jan Larsen and Anaelle Tourret, all members of the great Elbphilharmonie Orchestra - ENJOY ❕
Mirjana Šuica - Piano (source from this channel dedicated to serbian academic music , check them out - https://parg.co/bOoq) 0:00 - I 2:30 - II 4:38 - III 7:00 - IV 8:38 - V 10:21 - VI 12:10- VII
Vasilije Mokranjac (1923-1984) was a Serbian Composer. He was one of the most prominent Serbian composers in the second half of the 20th century. Although famed for his symphonies, he also wrote piano music, as well as music for radio, film and theatre. His father, the cellist Jovan Mokranjac, was a nephew of the composer Stevan Stojanović Mokranjac; his mother Jelena, of Czech origin, was also a cellist. Mokranjac's early output is mostly neo-romantic, but embroidered with elements of stylised folklore: such a stylistic orientation was forced upon young composers after the end of World War Two, when the ideology of Socialist Realism, “imported” from the USSR, was prescribed by the cultural officials. Furthermore, Mokranjac's composition teacher Stanojlo Rajičić was a conservative, who insisted that his students should express themselves in traditional forms of absolute music (such as sonata-form). On the other hand, Mokranjac's mature works exhibit a synthesis of neo-expressionist and neo-impressionistic elements. Since the early 1970s Mokranjac has gradually transformed his style and achieved a synthesis of all compositional procedures that he had used in earlier decades with a new, refined, lyrical sound world, embroidered with elements of neo-impressionism and the New Simplicity. In 1984, he jumped from the window of his New Belgrade flat, from the never determined reasons. Given his premature death, Mokranjac also had many unfinished works. He is survived by his wife Olga and daughter Alexandra. There is no copyright infringement intended. If you wish your recording to be removed, it can be done, please just leave me an email, which can be found at the channel's about section.
Felix Mendelssohn Bartholdy: Hebrides Overture "Fingal's Cave" / Nathalie Stutzmann, conductor · Mito Chamber Orchestra / Recorded at Art Tower Mito, Japan, 17 January 2014. Video by NHK.
Sir Andrzej Panufnik (24 September 1914 – 27 October 1991) was a Polish composer and conductor. He became established as one of the leading Polish composers, and as a conductor he was instrumental in the re-establishment of the Warsaw Philharmonic orchestra after World War II. After his increasing frustration with the extra-musical demands made on him by the country's regime, he defected to the United Kingdom in 1954, and took up British citizenship. In 1957, he became chief conductor of the City of Birmingham Symphony Orchestra, a post he relinquished after two years to devote all his time to composition.
7.5.2017 8pm Kumho Art Hall Yonsei / Seoul Recital Matthias Racz, bassoon - Hans Agreda contrabassoon G. Rossini Duetto for Violoncello and Contrabass in D Major Fox bassoon and Fox contrabassoon
🎼 Max Bruch 🎼 🎻María Dueñas🎻 🎻NDR Elbphilharmonie🎻 Manfred Honeck ▫ conductorThis concert was the 18yo soloist´s debut with the Elbphilharmonie... and what a debut it was !
Performed live at the Elbphilharmonie Hamburg on March 25th, 2021.
The fine musicians of the 🎻Lahti Symphony Orchestra🎻 in three different ensembles joined by Finnish harpsichord specialist 🎹Petteri Pirko🎹 for some baroque favourites by 🎼Bach, Vivaldi and Telemann🎼 in a recent live recording - ENJOY❕
Prelude 0:02 Fuga 3:46 Sarabande 11:55 Gigue 16:57 Double 20:13 Registrato a Mondovì (Cuneo) il 26 febbraio 2021 nella sede dell'Academia Montis Regalis da Edoardo Lambertenghi e Alma Zeccara Liuto costruito da Cezar Mateus (New Jersey 2007)
— Composer: Ludwig van Beethoven (17 December 1770 -- 26 March 1827) — Performers: Alban Berg Quartett — Year of recording: 1981
String Quartet No. 16 in F major, Op. 135, written in 1826.
00:00 - I. Allegretto 06:22 - II. Vivace [Scherzo] 09:50 - III. Lento assai e cantante tranquillo 17:39 - IV. Grave ma non troppo tratto - Allegro ("Der schwer gefasste Entschluss")
Beethoven wrote the bulk of this, his final quartet, in a two-month burst of activity amid health problems and shortly after his nephew Karl attempted to commit suicide. But there's not a hint of self-pity or anguish in this compact, good-natured work. For Beethoven's valedictory composition, this quartet is surprisingly small-scaled, finding inspiration in the quartets of Beethoven's one-time teacher Haydn.
Harmonies poétiques et religieuses (Poetic and Religious Harmonies), S.173, is a cycle of piano pieces written by Franz Liszt at Woronińce (Voronivtsi, the Polish-Ukrainian country estate of Liszt’s mistress Princess Carolyne von Sayn-Wittgenstein) in 1847, and published in 1853. The pieces are inspired by the poetry of Alphonse de Lamartine, as was Liszt’s symphonic poem Les Préludes. [+]
Composer: Antonín Dvorák Artist: Inna Poroshina (piano)
Dvorák considered himself only a modest pianist (he was a string player), and his music for piano has for long been neglected and considered of secondary importance to his symphonies, concertos and chamber works. Whilst undoubtedly true, the output for solo piano does contain some of his more mundane efforts, closer study of the music reveals some gems well worth getting to know, and that all contain his innate gift for melody.
His largest work featuring piano, the G major piano concerto has finally made some headway in the concert repertoire, and has always been championed by leading pianists – Richter and Aimard to name just two. The piano trios, quartets and the quintet all have effective piano parts, and are well laid out for the pianist. So why has the solo piano music been so neglected?
These works span his entire creative life, from the simple little Polka in E of 1860, to the Theme and Variations, Suite in A, and the Humoresques of 1894. These last three works are his masterpieces for piano, and indeed the Seventh Humoresque in G became very famous due its use in a Joan Crawford film in 1946, and through arrangements by Fritz Kreisler and Art Tatum. The Suite in A, dating from his time in America (where he composed his Ninth Symphony ‘From the New World’) is better known today in its orchestral version.
These CDs contain some wonderful little known music by one the best-loved composers – music that deserves a wider audience.
Teaser de « Cabaret Satie » Concert - spectacle de Philippe Nesme [Le compositeur Erik Satie] Carmen Martinez-Pierret [La pianiste Marcelle Meyer] Elsa Fabrega [L’ artiste peintre Suzanne Valadon] Musiques & Textes d'Erik Satie Styliste / Assistante à la mise en scène : Elsa Fabrega Metteur en scène / Réalisateur : Philippe Nesme [Les Films de peu, 2016] Contact programmateurs : management@musicaactiva.com + info teaser : Musique : « Gnossienne II », par Carmen Martinez-Pierret