Content warning: Bad Apple - In Lyon, France. ———————————————————————— About Going from LSD magazine: Dripping with the original spirit of punk and a relentless flood of socially, politically and consciously engaged ideas, French artist Goin is priming the charges and lea
Bad Apple – In Lyon, France.
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[color="#000000"]AboutGoingfromLSD magazine[/color]: Dripping with the original spirit of punk and a relentless flood of socially, politically and consciously engaged ideas, French artist Goin is priming the charges and leaving creativity’s spark to light the fuse of a new humanist activism. Emancipation, liberation, rebellion and the punishing vagaries of power’s endless cycles of corruption run deep into his work as powerful aesthetics take shape under the conceptual hammer. Laced with a superbly black sense of humour and a forcefulness – a viceral energy that bursts off his pieces Goin’s work wreaks chaos onto order and snatches moments of lucid disorder out of the volatile forge of history’s spiral.
Based at the radically creative, open air temple of mutation, the Demeure de Chaos or Abode of Chaos near Lyon, Goin spins concept, critique and cognition into an ever fluctuating flurry of media, subverting mass media through innovative media as stencils, paints and sculptures whistle through the eye of vandal kits, blood filled spray cans and molotov cocktails. Urgent, militant, uncompromising and anarchic – in every sense of the word – from the tearing down of authority to the ultimately idealist vision of redemption through self actualised awareness where expression pierces smokescreen and art rides conscience into an elusive dawn.
———————————————————————— On Facebook. Blood dice – At United Nations Headquarters in Geneva, Switzerland.
On Facebook. Need food not football – At World Cup 2014 in São Paulo, Brazil.
Early harvest – In Lisbon, Portugal.
Fukushima Flowers – In Lyon, France.
Heartbreaker – In Grenoble, France.
Fukushima danaïds – At Bugey Nuclear Power Plant, France.
Content warning: On Facebook. -- This is a collection of Street Art by Bordalo II. ABOUT: Artur Bordalo (Lisbon, 1987) uses the artist name Bordalo II, which he chose as a tribute to his grandfather, the painter Real Bordalo, in order to promote a continuity and reinventi
ABOUT: Artur Bordalo (Lisbon, 1987) uses the artist name Bordalo II, which he chose as a tribute to his grandfather, the painter Real Bordalo, in order to promote a continuity and reinvention of his artistic legacy.
His youth took place between the hours spent in the studio of his grandfather Real Bordalo, who had an incessant passion for watercolors and oils and portrayed landscapes and typical scenes of the city, and the adventures around illegal graffiti in the underworld of the city of Lisbon.
He attended the Painting course at the Faculty of Fine Arts in Lisbon for eight years, without ever having completed it, but says that these years allowed him to discover sculpture, ceramics, and to experiment with a variety of materials that have distanced him from painting, which had taken him there in the first place.
The public space would become the chosen stage for his explorations of color and scale and the platform where he gradually transformed his habits and channeled his experiences in the construction and development of his artistic work, which is currently focused on questioning the materialistic and greedy society of which he is (also) part.
The excessive production and consumption of stuff, which results in the continuous production of “garbage” and consequently in the destruction of the Planet, are the central themes of his production. This “garbage” assumes itself as the unusual and unique raw material that Bordalo uses in the construction of small and large scale pieces that he has spread around the world and that, above all, intend to be the vehicle of a universal manifesto.
Content warning: Diving Into the World of Odeith's Anamorphic Graffiti Portuguese street artist Sergio Odeith, also known as Sérgio Odeith, has gained international recognition for his jaw-dropping 3D graffiti pieces that defy the limits of perception. In this blog post,
Diving Into the World of Odeith’s Anamorphic Graffiti
Portuguese street artist Sergio Odeith, also known as Sérgio Odeith, has gained international recognition for his jaw-dropping 3D graffiti pieces that defy the limits of perception. In this blog post, we’ll explore 20 of his most astonishing works and delve into the world of this master of illusion.
Odeith began his graffiti career in the 1980s, honing his skills on the streets of Lisbon. Over the years, he has refined his technique and developed his signature style, characterized by bold colors, intricate details, and mind-bending optical illusions (read more about him later in this post).
The Art of Creating 3D Graffiti
Odeith’s 3D graffiti art is a perfect blend of skill, perspective, and creativity. By employing anamorphic techniques and masterful shading, he transforms ordinary walls and objects into realistic three-dimensional scenes that appear to leap off the surface.
Odeith’s Signature Subject Matter
Odeith is known for tackling a wide range of subject matter in his work, from animals and insects to urban landscapes and fantastical creatures. His pieces often feature a sense of movement and depth, drawing viewers into his vivid, illusionary world.
Exploring Odeith’s Most Astonishing Works
Among Odeith’s most remarkable pieces are his larger-than-life murals of animals, including a majestic lion, a menacing crocodile, and an otherworldly praying mantis. These works not only showcase his technical prowess but also highlight his ability to breathe life into his subjects.
Odeith’s Impact on the Street Art Scene
Odeith’s innovative 3D graffiti art has earned him a reputation as one of the most talented and influential artists in the street art world. His work has inspired countless other artists and raised the bar for what is possible with spray paint and a blank canvas.
Odeith’s Background and Style: A Deeper Dive
Born in Damaia, Portugal, in 1976, Sérgio ‘Odeith’ first picked up a spray can in the mid-1980s, painting signatures and doodles on his neighborhood walls. It wasn’t until the mid-1990s that he encountered graffiti artists in Carcavelos, where the movement was gaining momentum. This sparked a passion for graffiti that led him to paint illegally on street walls and railway lines in and around Lisbon.
Odeith’s impressive evolution as an artist is due in part to his dedication to painting large-scale murals in various neighborhoods throughout Damaia, Carcavelos, and Amadora. Although he dropped out of school at the age of 15 and never received any formal art training, Odeith’s talent for drawing and his relentless self-taught approach to his craft led him to become the renowned artist he is today.
In 2003, Odeith adopted his current moniker, and by 2005, his innovative use of the anamorphosis technique began garnering international recognition. This “Somber 3D” style, as he later called it, involves painting on 90-degree corners or flat walls to create authentic, large-scale compositions of insects or objects that give a striking 3D optical illusion effect. Many of these works, painted in abandoned spaces, quickly went viral due to their realism and technique.
Odeith briefly lived in London after closing his tattoo shop in 2008, but he has since returned to Lisbon, where he now focuses exclusively on studio work and walls. Despite his lack of formal training, Odeith has become a pioneering force in the world of street art, with his dark anamorphic style and passion for the craft setting him apart from other artists.
Discovering More of Odeith’s Work
To explore more of Odeith’s incredible 3D graffiti pieces, check out his website and follow him on Instagram. Keep an eye out for his work in your city or during your travels, as you never know where his next masterpiece might appear.
The Lasting Impact of Odeith’s Innovative Street Art
Odeith’s jaw-dropping 3D graffiti art is a testament to the power of creativity, skill, and imagination. These 18 captivating pieces offer just a glimpse into the mind of this master of illusion, whose work continues to push the boundaries of what is possible in the world of street art.
As street art has evolved from a frowned-upon act of vandalism into a widely-accepted form of creative expression, it has become a powerful medium for artists to voice social and political messages.
It has also turned into a source of joy, inspiration, and delight for residents and visitors alike. One such artist who has mastered the art of transforming mundane urban spaces into captivating visual experiences is the French street artist, Scaf.
Scaf (Pierre Bertolotti), known for his mind-blowing 3D graffiti illusions, has garnered international acclaim for his ability to breathe new life into everyday objects. His vibrant creations, often featuring bold colors and clever optical illusion designs, are guaranteed to catch the attention of even the most hurried passerby.
With his uncanny talent for creating hyper-realistic, intricately detailed artworks, Scaf has become a celebrated figure in the global street art scene. His repertoire includes an impressive array of subjects, from prehistoric dinosaurs and menacing snakes to haunting skulls and futuristic robots.
Scaf: “The main goal is to make people smile. So that the people who discover my paintings will have a moment of lightness in a world where everything goes so fast and crazy. I watch a lot of cartoons. My goal is also to get away from the problems of everyday life and dream.”
Don’t miss out on Scaf’s latest creations! Follow him on Instagram to stay updated and explore more of his awe-inspiring 3D graffiti illusions.
Delve into a selection of Scaf’s most fascinating works below and uncover the ways in which he pushes the limits of street art to new heights:
"Listen to your soul" by Pariz One in Lisbon, Portugal -- #mural upolowany w Lizbonie przy ul. Rodrigues de Faria 103, namalowany w ramach festiwalu MURO LX 2023 przez artystę znanego jako Pariz One. Fot. Joanna Klima
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More than a favorite season to looking forward to, my attention tends to orbitate much more towards transition periods. Instead of everything at its peak, it’s those overlapping moments where one...
